Eckmannschrift is a redrawing based on original sketches and type specimens of the original 1900 Otto Eckmann typeface Eckmannschrift. It includes the original characters designed by Otto Eckmann not included in most modern releases of the font. Though it is a vintage typeface, it has found several popular resurgences of use over its 100 years in existence, including today's retro styles and psychedelic posters from the 1960s.
Deception is a sub-pixel typeface with ten captivating effects. Deception Array is composed of wide blocks, reminiscent of a digital VU meter but also useful for portraying modern architectural themes. Deception Bars resembles text viewed through lenticular glass. Deception Blocks approximates heavy JPEG degradation and pixel sharpening glitch effects. Deception Diamonds is flashy and prestigious—try it with a glow effect. Deception Lines can produce a grayscale effect or banding depending on resolution and rendering type—keep experimenting and see what you can come up with. Deception Particles echoes the look of impact printers or laser etched sell-by dates. Deception Plusses energetically radiates positivity. Deception Process simulates grayscale LCD text or a thermal printer on the fritz. Deception Scanline duplicates the appearance of television picture tube text rendering—ideal for recreating a videogame or retro computing vibe. Deception System smacks of 1-bit dithering gone completely haywire. Each style of Deception is available in Regular and Bold. OpenType fractions, numeric ordinals and lots of currency symbols are included.
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Olap Metric is a modern, one-of-a kind font that will make your designs stand out against the competition. With 9styles and Multi-languages support, this stylistic display type has what you need for all sorts of projects! The family has been developed as a modern playing system allowing the mixing of infinite combinations.
Perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, digital and more.
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New Twist Display font, so here for you, Salty Mussy!
Salty Mussy - A display typeface that has quirky and twisted style, It brings back the 70s vibes with its modern but still funky rhythm. This font has a beautiful uppercase and lowercase, so it can show more options for your project!
Salty Mussy - This font is also included in the psychedelic style which can be very suitable for use in many projects such as street art design, posters, magazines, quotes for Instagram, and many more!
What you get :
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Dharmas Studio
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Introducing this very simple sans serif font that is Paris Van Java, the font Family. I created this font with the inspiration of simplicity and it is very friendly to look at, with four versions, namely regular, italic, bold, bold italic. Very suitable to be applied in various aspects of design, Also it’s perfect for logo, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc.
Features :
If you have any questions please don’t hesitate to contact me
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Thank you
The last couple of years felt like I was living in a bad dream: I witnessed crazy leaders, climate change and now Covid. I usually name my fonts after things that affect me and this one is not different.
Dreamworld is a font I made with a cheap marker pen I liberated from my kids’ pencil box (I will put it back, pinky promise…). It is a bit rough, but also very easy to read and distinctive enough to make your work stand out.
Of course it comes with extensive language support (let me mention Vietnamese again…) and two sets of alternate glyphs, that cycle as you type.
Maine is a modernized book antiqua consisting of six styles and matching italics. Maine's cuts are from Light to Extrabold, of which Regular and Slightly Bolder Book are especially suitable for longer texts. Thanks to its clear features and high x-height, Maine creates a beautiful and legible body text.
Maine gives a professional, no-nonsense impression and it’s best used in editorial, books, magazines and everywhere where you can use many different styles and sizes of the same typeface. Go dignified with Maine.
Sultan Plain is an active contemporary variable font, complete with a flexible range of cases tailored to responsive layouts
The font places itself at the boundary between two eras of contemporary typographic design, Between stillness and movement, between past exclusivity and present diversity, between the finite and the infinite.
Although it is like many of the modern Naskh fonts, Sultan Plain has amazing unique energy Which is missing by many of the fonts that we designed since the beginning of the second millennium.
The font is clear and legible in small sizes, suitable for printing for large texts, web pages, and other visual uses.
The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu.
Mistafelga Font Family was designed by Tezar Tantular, and published by Keristyper Studio. Mistafelga contains 1 styles and family...
